NYGPS MEMBER MOE RESNER TALKS ABOUT HIS END OF AN ERA FILM AND HIS BASEBALL CAREER

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NYGPS Member Moe Resner spoke on NYGPS Member Sam Maxwell’s Bedford & Sullivan Podcast to discuss catching on film the last game the Giants played in the Polo Grounds as a New York team, a film he calls, “An End of an Era.” Moe recently had Willie Mays endorse his film and added Mays’ picture on the cover. To purchase the DVD contact Moe through me if you like. Here is the link:
http://www.blogtalkradio.com/bedfordandsullivanbrooklyn/2014/01/19/ep-39–moe-resner-filmmaker-of-end-of-an-era

NYGPS MEMBER JOHN MCLAUGHLIN TALKS ABOUT HIS WORK ON HIS UPCOMING BOOK ON THE NY GIANTS LEAVING NYC

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Author and NYGPS Member John McLaughlin spoke on NYGPS Member Sam Maxwell’s Bedford & Sullivan Podcast to discuss the book he’s working on about the New York Giants’ departure from New York, a topic that has gotten less fanfare over the years than the Dodgers own exit from the town. as well as his own baseball foundation. A Great listen!!
http://www.blogtalkradio.com/bedfordandsullivanbrooklyn/2014/01/18/ep-38–author-john-mclaughlin

1954 A NEW BOOK BY BILL MADDEN

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1954: THE YEAR WILLIE MAYS AND THE FIRST GENERATION OF BLACK SUPERSTARS CHANGED MAJOR LEAGUE BASEBALL FOREVER
New book by Bill Madden due on Willie Mays’ birthday.

Jackie Robinson heroically broke the color barrier in 1947. But how—and, in practice, when—did the integration of the sport actually occur? Bill Madden shows that baseball’s famous “black experiment” did not truly succeed until the coming of age of Willie Mays and the emergence of some star players—Larry Doby, Hank Aaron, and Ernie Banks—in 1954. And as a relevant backdrop off the field, it was in May of that year that the US Supreme Court unanimously ruled, in the case of Brown v. Board of Education, that segregation be outlawed in America’s public schools.

Featuring original interviews with key players and weaving together the narrative of one of baseball’s greatest seasons with the racially charged events of that year, 1954 demonstrates how our national pastime—with the notable exception of the Yankees, who represented white supremacy in the game—was actually ahead of the curve in terms of the acceptance of black Americans, while the nation at large continued to struggle with tolerance.